Tuesday, March 6, 2018

the value of the vow?

Marriage in the early 1800s was a prospect of opportunity for young, unmarried middle-class women such as Jane and Elizabeth Bennet. Women possessing a small fortune were born into the struggling task of attaining "a single man in possession of a good fortune" (Austen 5). Without the support of a husband, there was no purpose in a women's life, as this time period called for women to be dutiful mothers and the lifelong companion of her male partner. The value of marriage was solely a quantitative value; the qualitative aspects cashed in an added bonus to the relationship. Love was a small factor that may present itself further on in the marriage if one was lucky enough.

Charlotte, Elizabeth's good friend, makes a decision that 21st century minds would find revolting and downright confusing. She marries the bothersome Mr. Collins without an inkling of love, but out of sheer opportunity. Charlotte knows that "his society was irksome," even that "his attachment to her must be imaginary" (Austen 116). Yet, she still pursues the marriage with the upmost determination, with even a hint of pride. Her decision would be considered empowering to young women of her day, taking independent responsibility in establishing a home and secure life for herself in the arms of a wealthy gentleman. Mr. Collins' supposed care was little more than the care one would have for a prized possession. A wife was an achievement that supplemented a wealthy man's respect in society. He could be a single wealthy man, or a fine gentleman with a complementary wife and a waiting heir to inherit his estate. 

While the value of marriage was merely a supplement to a man's character, it was the pinnacle of a woman's existence. An old maid had no place in the 1800s, and was seen as an unfulfilled waste of a lifetime. Women had no choice but to find a husband for which they could provide their domestic skills and a child. 

Unfortunately, love was an afterthought in 19th century society, which justified Charlotte’s decision to establish a stable life with Mr. Collins. Her happiness, however, is questionable, as is Mr. Collins’ true feelings. Charlotte could now be content that she can fulfill her life’s duties as a women, and not be left in the dust as an old maid. She is at least assured that her “chance of happiness with [Mr. Collins] is as fair as most people can boast on entering the marriage state,” and she should not be greedy to anticipate anything beyond inheritance value (Austen 119).

I believe that most women like Charlotte in the 1800s valued the qualitative aspects of marriage with the lowest expectations possible, and if they were fortunate, love would come as a significant bonus.

1 comment:

  1. I agree that Austen’s depiction of marriage in the novel is heavily influenced by nineteenth century societal views of the institution. Hardly anyone would disagree that dating and matrimony have experienced drastic changes over the last two centuries. However, similar to Alcott, Little Women, and Marmee, Austen also appears to believe unions with financial foundations must be supplemented by some form of love or, at the very least, mutual understanding. After Elizabeth’s engagement to Darcy, Jane, unaware of her love, pleads for her sister to “do anything but marry without affection” (353). Mr. Bennet echoes Jane’s concern as he advises, “I know that you could neither be happy nor respectable, unless you truly esteemed your husband…unless you looked up to him…you could scarcely escape discredit and misery” (356). Thus, Austen warns readers against marrying solely for security or opulence before concluding her novel. As you stated with Charlotte Lucas, many did not have the luck and luxury of encountering a loving suitor before nearing the end of the typical engagement age. Both Jane and Elizabeth appear to be satisfied with their husbands, but one may remember from Ragged Dick and Little Women that literary luck sometimes comes in unrealistic abundance. Perhaps Austen’s ultimate thoughts on marriage were intended to call into question the current economic-based marital climate more so than for individual readers to analyze their own romantic plans.

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